About
Guy Geva
I studied art at "Avni Art School" & Theory of Art at the University of Tel-Aviv. And have a B.Sc. in Physics & Astrophysics from Tel-Aviv University-
Work as Consultant for high-tech companies in the field of optics, image processing software and photography-
Photographer for the Human evolution and anthropology recherche in Tel-Aviv University-
Photographer for the Zoological Research in Tel-Aviv University-
A professional photography for over than 20 years. Specializes in studio photography. (Advertising)-
I have an active blog on photography for the Israeli public-
Teaches photography in various techniques and a teacher of image processing for more then 20 years-
I have been taking part in single and group exhibitions since the age of 17 and have presented several single exhibitions since then. Part of my last exhibition held in: Soho NY, Time square and more. You can see my work in “Abstract Magazine, Lens magazine, F-Stop and more
I do art studio photography and art landscape photography. It seems like two different areas, but not
Both in the studio and in nature, I deal with the same subject. Weaknesses and the end of existence
In studio photographs, I focus on the long-term documentation of my moments of weakness. Moments of mental fatigue. Of emotions such as feelings of guilt, anger and depression. Unlike the landscape photography, in the studio I am on both sides of the camera. Both behind the eyepiece and opposite the lens. I found that I am the best model to introduce myself. I know exactly how to describe my emotions, so I prefer to be both the model and the photographer. In the studio photographs, I remove the masks from me in a process that takes a few hours each time before the start of filming. I love to use props and play with light
Nature, I am hiding behind the camera, but at the same time exposing the weaknesses through moments of fatigue of the landscape. Moments that the landscape would prefer not to be seen in them. Rough moments, evidenced by the weariness of view pretense that everything is beautiful, moments of the end of the day and accumulate grinding of the view. I prefer to focus on the moments when I and nature are tired but are still there with each other at the end of the day. My works was taken when I was at the end of a long day, loneliness and a tremendous sense of alone
Only when I and the landscape are close to someone and are intimate with the landscape does it allow to show and expose his darker sides, the moments of removing all the masks
Publication in
Aesthetica Magazine
MonoVisions
Itsliquid
F-Stop
The Israel Society of Ecology and Environmental Sciences
Maco
Fujifilm X Photographer
SeeMe art Gallery
Abstract Mag TV
Lens Magazine
Zeiss
The Street Photographer Notebook Magazine
Portrait Magazine
Blank wall Gallery
**I have won a number of international photography competitions**
I studied art at "Avni Art School" & Theory of Art at the University of Tel-Aviv. And have a B.Sc. in Physics & Astrophysics from Tel-Aviv University-
Work as Consultant for high-tech companies in the field of optics, image processing software and photography-
Photographer for the Human evolution and anthropology recherche in Tel-Aviv University-
Photographer for the Zoological Research in Tel-Aviv University-
A professional photography for over than 20 years. Specializes in studio photography. (Advertising)-
I have an active blog on photography for the Israeli public-
Teaches photography in various techniques and a teacher of image processing for more then 20 years-
I have been taking part in single and group exhibitions since the age of 17 and have presented several single exhibitions since then. Part of my last exhibition held in: Soho NY, Time square and more. You can see my work in “Abstract Magazine, Lens magazine, F-Stop and more
I do art studio photography and art landscape photography. It seems like two different areas, but not
Both in the studio and in nature, I deal with the same subject. Weaknesses and the end of existence
In studio photographs, I focus on the long-term documentation of my moments of weakness. Moments of mental fatigue. Of emotions such as feelings of guilt, anger and depression. Unlike the landscape photography, in the studio I am on both sides of the camera. Both behind the eyepiece and opposite the lens. I found that I am the best model to introduce myself. I know exactly how to describe my emotions, so I prefer to be both the model and the photographer. In the studio photographs, I remove the masks from me in a process that takes a few hours each time before the start of filming. I love to use props and play with light
Nature, I am hiding behind the camera, but at the same time exposing the weaknesses through moments of fatigue of the landscape. Moments that the landscape would prefer not to be seen in them. Rough moments, evidenced by the weariness of view pretense that everything is beautiful, moments of the end of the day and accumulate grinding of the view. I prefer to focus on the moments when I and nature are tired but are still there with each other at the end of the day. My works was taken when I was at the end of a long day, loneliness and a tremendous sense of alone
Only when I and the landscape are close to someone and are intimate with the landscape does it allow to show and expose his darker sides, the moments of removing all the masks
Publication in
Aesthetica Magazine
MonoVisions
Itsliquid
F-Stop
The Israel Society of Ecology and Environmental Sciences
Maco
Fujifilm X Photographer
SeeMe art Gallery
Abstract Mag TV
Lens Magazine
Zeiss
The Street Photographer Notebook Magazine
Portrait Magazine
Blank wall Gallery
**I have won a number of international photography competitions**